Or the fashion accessory that is just begging to happen.
I recently wrote a thing about mainstream geek popularity, geek consumerism, and hypothetical pro-geek corporate manipulation. While thinking about the relationship between pop culture and fashion and geekyness, I observed one of my coworkers using the stretchy fabric belt on her empire-waisted-frock to hold her iPhone. It occurred to me that what she really needed was a utility belt.
A complaint that women in my life frequently make is that the majority of their clothing lack pockets with any sort of capacity. Not to say that there aren't pocketed options, but it seems the majority of dresses, skirts, and fashionable trousers tend to eschew storage capacity in favour of tightness and aesthetics. As a result many women are forced to rely on purses or jamming there phones/media players under belts, into undersized pockets, or, in the case of one my coworkers, inside their bras. A utility belt could be a solution to this problem with its many pockets and possible applicability to a number of looks/outfits.
Of course, for a female garment to become widely adopted by mainstream consumers it has to fashionable. Fortunately, I think conditions are brewing where this may be possible. Geek culture is going mainstream with an increase in self identifying geeks and the accumulation of cultural cache. This means that there are more openly geeky women who are willing to use fashion to express their geekyness. Pair this with a growing interest in cosplay, which shares a Ven diagram with lady geeks and utility belts and I think you have the potential for utility belts to be worn in regular life by female geeks (if it isn't happening already).
This represents at best a cultural beachhead, but I think it's an important one. As geekyness becomes more and more mainstream, comic books and fashion forward cosplayers could become trendsetters. What they wear could be what everyone wears the next year (and what Hipsters wear a decade later). And to a certain extent geeks already are informing fashion: designers are already mining comics and Sci-fi for inspiration.
There's another consideration: utility belts actually look GOOD. When my lovely coworker agreed to rock my army surplus pouch belt (bought for an Orson Randall Ironfist Halloween costume) I thought the result would look funny instead of awesome... but throw in a Han-Solo-roguish-angle and IT WORKS. Imagine how good it could look after a fashion designer got a hold of the idea and made some more minimalist and chique utility belts in black. I think this could actually happen, and if it did the idea could catch on in the mainstream.
So there it is, utility belts are a highly functional fashion accessory that can/does look good and with the trendiness of geekdom has the potential to break through to the mainstream.
Let's make this happen.
(And then maybe my lab manager can turn off her phone's infuriatingly obnoxious ringtone and put it on vibrate.)
Showing posts with label Waning Comedic. Show all posts
Showing posts with label Waning Comedic. Show all posts
Monday, 1 October 2012
Monday, 24 September 2012
Fighter Jets and Bombshells
Or Top Gun's top tips for scoring with the ladies
Top Gun is a film about fighter jets and the brave, rule-breaking men who fly them. Especially those named Maverick.
(I think you can also make a compelling case for Top Gun being a commentary on the AIDS Crisis and safe/unsafe sex practices.)
But Top Gun is also a romantic movie! When not flying their fighter jets, playing shirtless beach volleyball, or staring meaningfully into each others eyes Top Gun fighter pilots are all about romancing the ladies. An analysis of the film provides a foolproof 7 step guide to successful wooing any lady in the world.
Step 1: Pick out a woman at a bar. Make a bet with your best friend about whether you can have coitus with her on the premises.
Step 2: Embarrass the woman by singing "You've lost that lovin' feeling" poorly at her. If all goes well the rest of the bar will spontaneously join you. Women like nothing than having an entire room of people sing poorly at them. Also, all bars are moments away from singing "You've lost that lovin' feeling" spontaneously.
Step 3: Sexually harass that woman in the ladies washroom. Chicks dig that.
Step 4: Belittle her at her place of work in front of her colleagues. She might be an astrophysicist who is an expert on communist airplanes for some reason, instead of, say, an aeronautical engineer, but you know better than she does and everyone needs to know this.
Step 5: On your first date, go to the woman's house immediately after playing shirtless beach volleyball with the guys. Demand a shower.
Step 6: Have a secretive workplace affair. Set it to 80's music. Add back-lighting.
Step 7: Kiss with a frightening amount of tongue. Kiss with the amount of tongue someone who has heard of french kissing but has never seen or attempted it before thinks is okay. Use more tongue than an affection and overheated dog. Tongues!
There you are future pilots and lady-killers. Follow these steps and soon you'll be knee deep in women with a face coated in saliva.
Top Gun is a film about fighter jets and the brave, rule-breaking men who fly them. Especially those named Maverick.
(I think you can also make a compelling case for Top Gun being a commentary on the AIDS Crisis and safe/unsafe sex practices.)
But Top Gun is also a romantic movie! When not flying their fighter jets, playing shirtless beach volleyball, or staring meaningfully into each others eyes Top Gun fighter pilots are all about romancing the ladies. An analysis of the film provides a foolproof 7 step guide to successful wooing any lady in the world.
Step 1: Pick out a woman at a bar. Make a bet with your best friend about whether you can have coitus with her on the premises.
Step 2: Embarrass the woman by singing "You've lost that lovin' feeling" poorly at her. If all goes well the rest of the bar will spontaneously join you. Women like nothing than having an entire room of people sing poorly at them. Also, all bars are moments away from singing "You've lost that lovin' feeling" spontaneously.
![]() |
| "... you guys are gonna join in any second right?" |
Step 3: Sexually harass that woman in the ladies washroom. Chicks dig that.
![]() |
| "What, you mean suggesting we have sex on the counter isn't okay?" |
Step 4: Belittle her at her place of work in front of her colleagues. She might be an astrophysicist who is an expert on communist airplanes for some reason, instead of, say, an aeronautical engineer, but you know better than she does and everyone needs to know this.
![]() |
| "I want everyone here to know that your ideas are stupid. Women, amIright?" |
Step 5: On your first date, go to the woman's house immediately after playing shirtless beach volleyball with the guys. Demand a shower.
![]() |
| "Guys I gotta go see a lady about a shower." |
Step 6: Have a secretive workplace affair. Set it to 80's music. Add back-lighting.
![]() |
| *80's music* (Please note the tongue tip springing forth) |
![]() |
| *80s music* (She just licked his face) |
![]() |
| "Go get 'em, Tiger." |
Friday, 24 August 2012
Lights, Camera, Action Comics.
Or how questionable comic motifs have made into our comic book movies.
As a guy who loves comics, Hollywood's current obsession with quality superhero flicks is pretty great. That said, I've noticed some odd choices in some of these films, which at first glance would seem like unusual/practical film choices, but upon closer examination I suspect these are just films attempting to better mimic comic books.
The Avengers: You know how the climatic conflict between the Avenges and Loki's invading army took place in a tiny chunk of manhattan which features many of the New Yorkiest locations? I think this was a deliberate attempt to be more comic booky. Sure, an argument could be made that the battle was limited to such a small and familiar location to give it a sense of place and to contextualise the giant CG action (to stop the Michael Bay effect), but I think this is misguided. Instead, think about how Marvel comics are based in mirror world New York and how many superhero fights take place within view of the Chrysler Building, the Empire State Building, Central Park, a New York bridge, the Statue of Liberty or on Coney Island. It's a lot right? The Avengers final fight scenes setting is just trying to stay true to the source material.
The Amazing Spider-man: I think the choice to cast 20-something actors as teenaged Peter Parker and Gwen Stacey was an attempt to be comic booky. There may be a Hollywood tendency to cast distractingly old actors to play teenagers, perhaps out of a shortage of actual teenage actors with the skill, reputation, or schedule necesary to pull off a tent pole film. I'll concede it's also possile that the studio thought the actors' inherent Peter Parkerness and Gwen Stacey-tude made up for any age issues. But the choice of Andrew Garfield (28) and Emma stone (23) has nothin to do with these studio politicky or creative choices. Instead casting older actors is a tribute to comic book artists tendency to draw teens, especially girls, with adult proportions. I mean, If you look at the comics where Spider-Man was actually in highschool, Peter and Gwen already looked like young adults. So yeah, Amazing Spider-Man is an unexpected tribute to comics art.
The Dark Knight Rises: Gotham is a city of deserted streets for the vast majority of the movie. Is this pragmatic film making designed to cut the costs of many extras? Nope. It's clearly an attempt to mimic the visual tone of comics where the art team minimizes background characters for efficiency.
There you have it, three comic book movies with three questionable comic motifs included. Here's to faithfulness to the original material.
As a guy who loves comics, Hollywood's current obsession with quality superhero flicks is pretty great. That said, I've noticed some odd choices in some of these films, which at first glance would seem like unusual/practical film choices, but upon closer examination I suspect these are just films attempting to better mimic comic books.
It should be noted that this is going to be *SPOILER*-tastic
The Avengers: You know how the climatic conflict between the Avenges and Loki's invading army took place in a tiny chunk of manhattan which features many of the New Yorkiest locations? I think this was a deliberate attempt to be more comic booky. Sure, an argument could be made that the battle was limited to such a small and familiar location to give it a sense of place and to contextualise the giant CG action (to stop the Michael Bay effect), but I think this is misguided. Instead, think about how Marvel comics are based in mirror world New York and how many superhero fights take place within view of the Chrysler Building, the Empire State Building, Central Park, a New York bridge, the Statue of Liberty or on Coney Island. It's a lot right? The Avengers final fight scenes setting is just trying to stay true to the source material.
![]() |
| "We sure look like Grad Students" |
The Dark Knight Rises: Gotham is a city of deserted streets for the vast majority of the movie. Is this pragmatic film making designed to cut the costs of many extras? Nope. It's clearly an attempt to mimic the visual tone of comics where the art team minimizes background characters for efficiency.
There you have it, three comic book movies with three questionable comic motifs included. Here's to faithfulness to the original material.
Monday, 9 July 2012
This is how you remind me… of so many belt pouches
Or how Nickelback is the Rob Liefeld of music.
I recently had… the experience of going to a Nickelback
concert. In my defence, I was told it was a Bush concert and only later, after
tickets had been bought, was it revealed that Nickelback was headlining. Also,
I didn’t pay for my ticket. (Please don’t hate me.)
In a moment of profound realization during said concert, it
occurred to me that Nickelback, with its brashness and absurdity, is the musical
equivalent of Rob Liefeld. Also: Bush is a much better band than Nickelback.
I also realized that both The Rob and Nickelback, as
aesthetically unappealing as I find them, deserve to exist because some people seem to really like them and both, occasionally, provide moments of sublime
absurdity that transcend their origins.
An in depth comparison follows after the cut:
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