Showing posts with label Jenn Post. Show all posts
Showing posts with label Jenn Post. Show all posts

Thursday, 19 February 2015

So Jenn Read Wonder Woman: Blood

A review of Wonder Woman Volume 1
Brian Azzarello, Cliff Chiang, Tony Akins, Matt Wilson, and Jared K Fletcher; DC Comics


Blood is the first collected trade of DC’s New 52 Wonder Woman run, a fairly easy jumping on point to get a taste for a hero I’ve never read before. We open with a young woman, Zola, being pursued by mystery assailants. Hermes comes to her aid, and it’s revealed that she’s pregnant with Zeus’ child. She ends up in Diana’s care, and the story grows around the familiar relationships of Greek Gods. Zeus has disappeared, Hera is upset about his many infidelities, and there’s a power vacuum on Olympus to be filled. Diana takes Zola and Hermes to Paradise Island and the protection of her family of Amazonian sisters, where she must also address newfound family history with her mother, Hippolyta, and what ramifications this information may have on Olympus.  Azzarello makes a smart choice grounding the story in Greek myth –it guarantees some familiarity with the characters Diana interacts with, freeing the story from extensive exposition and allowing the action to begin quickly. The spectacular art only adds to the experience—I love Cliff Chiang’s interpretation of Diana and her sisters – strong, but still beautiful and feminine. Diana looks like she could crush a man with her thighs, in the absolute best way. The story is sufficiently gory, with some dark moments and unexpected twists. As a character, Diana is someone I want to follow further—and I will absolutely be reading Volume 2.


Word Count: 236

Post by Jennifer DePrey

Thursday, 5 February 2015

Sound Adivice: Captain Marvel Volume 1.1

Captain Marvel Volume 1: In Pursuit of Flight
Kelly Sue DeConnick, Dexter Soy, Emma Rios, Jordie Bellaire, Clayton Cowles; Marvel Comics



So, you’ve heard Marvel is producing a film called Captain Marvel in 2018 and want to know where to start reading about this hero?  You have come to the right place.

Captain Marvel is Carol Danvers, a former USAF pilot, current Avenger, and my all-time favorite super hero. I feel like it’s only fair to tell you before we move on: I have an ongoing Carol Danvers Situation, capital S necessary. There is a bias in this post, and the bias is that I think Carol Danvers is actually THE BEST.

Marvel Studios’ recent Phase 3 announcement brought us the news that a Captain Marvel film  will be hitting the big screen in July of 2018. I’m completely floored by the news, but for many people, the announcement bought questions about who this character is, why she should be the character to land the Marvel Cinematic Universe’s first female-led title, and why this matters. With In Pursuit of Flight, collecting issues 1-6 of Kelly Sue DeConnick’s 2012 run of Captain Marvel, we see many of the story elements that have me excited for the hero Carol Danvers to gain a wider audience.

As I talk though these points, *SPOILERS* will arise, so continue at your own risk.

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1. She looks like a female superhero should look.

Carol Danvers looks strong and powerful without surrendering her femininity. Jamie McKelvie’s redesigned uniform drew me to Captain Marvel in the first place—here we have a woman fighting in a flight suit instead of a bathing suit, wearing something that fans refer to more frequently as Carol’s “uniform” than her “costume.” Though a costume change may seem like a small thing, consider my own comics experience—thought I’ve been reading comic books since I was a kid in the late 1990’s, the look of a superhero was never intriguing enough for me to pick up a book until Carol’s Captain Marvel uniform hit the stands in 2012.

The art of In Pursuit of Flight supports this strength. Dexter Soy, who provides the art for the first part of this trade, is a favorite artist of mine because of how powerful Carol looks, and how dynamic his world feels on the page.


Emma Rios, who provides art for the second portion of the trade, brings a completely different style, one in which Carol has never looked more ethereal and magical.


Both artists avoid exploitive poses or costumes, and both are masters at showing emotion in their drawing.

2. Carol Danvers is confident about who she is and what her strengths are.

For all that this book touches on the question of names and titles and how those concepts impact our identity, Carol is very clear about who she is—She’s an Avenger. First and foremost, Carol Danvers is fighting to protect, save, and to serve, because that is what heroes do. She also clearly knows that she’s good at it—Her dialogue during fight scenes is some of the best I’ve read, because Carol is very aware that she excels at punching and blasting. Her confidence borders right on the edge of cockiness, and it’s a sort of confidence I think we see very rarely from female super heroes. “These girls have never seen anything like this in their lives,” she narrates as she begins to face down some powerful alien tech. “I’m an Avenger…we call this Tuesday.”

This is not, I should point out, to say that Carol Danvers isn’t smart. All the time she is reacting in the moment, she’s also putting together the pieces of what’s going on, considering her plan, and adjusting as new information arises. The USAF veteran is also a tactician, one who often adapts her plans on the fly, even if she sometimes does so recklessly, disregarding her own safety.

3. Her weaknesses are just as familiar to her.

The central plot of In Pursuit of Flight circles around a time travel adventure that sees Carol dropped unexpectedly into the era of WWII. She realizes this when she runs into the Banshee Squadron, an all-women group of WWII pilots, and realizing the potential of altering history Carol fully acknowledges that she has no idea what she should be doing. Though I’m usually not one for time travel plots, this one calls itself out early on. Time travel is a compelling problem for Carol to face, because it isn’t one she can't easily fight head on.



4. Carol maintains interpersonal relationships with other women.

For some reason, varied relationships between female characters can be hard to come by in comics. In just the first volume, we see a number of these relationships in Carol’s life, such as a supportive friendship with Jessica Drew, Spider-Woman, a friendship with Tracy, a older friend and former coworker who Carol is supporting through a fight with cancer, and even her relationship with Helen Cobb, clearly someone Carol views as a hero or mentor, and later, when the time travel plot brings Carol together with Helen’s young self, as competition. We see Carol relate to the Banshee Squadron as a fellow soldier and as a leader, as well. As a medium, comics can sometimes forget that friendships can cross generations, and that relationships have a huge spectrum of variation, In Pursuit of Flight remembers.

5. She considers the value of legacy.

First we see it at the start of our story, when Carol has to decide if she’s going to take on the mantle of Captain Marvel. It’s clear that part of her is worried it somehow lessens Mar-Vell’s legacy for her to do so—and part of her clearly wants the power and history of that legacy to become part of her own story. We see it again when Helen Cobb leaves Carol her plane in her will—Carol’s first act is to set off to prove that Helen Cobb’s flight record is accurate.

The whole of this arc of Carol’s story also considers a broader legacy—that of the women that came before her. The Banshees are our first reminder, couched in this fictional world, of a very real sexism experienced by women throughout history – women could not be pilots in the armed forces in WWII, so women much like the Banshee Squadron served in civilian support roles, even though they often were putting their lives on the line just as much as enlisted forces.  They thought of themselves as soldiers, even if no one else would recognize them as such.


Our second reminder comes with another jump to the 1960s, where the women pilots of Mercury 13 are facing down the injustice of a system that won’t allow them to pursue a NASA training program. Their hopes are dashed by their gender and their era, and it’s heartbreaking to witness these women’s devastation for both the reader and for Carol.


This story is absolutely about the legacy of women such as the Banshees and the Mercury 13 left for women who came after, an unashamedly feminist statement about how important it is for us to remember and honor their struggle for equality. DeConnick does her best to honor them in story, and Carol clearly recognizes how these women helped pave the way for her own service and the pursuit of her own dreams to fly.

6. For as much as legacy is valued, Carol sees the importance of continuing to move forward.

It’s a letter from Helen that is the final push Carol needs to take the title of Captain Marvel. “Helen would punch holes in the sky,” she reasons to herself, sitting at the edge of space thinking about her place in the world. When in the final arc of the book, she finds herself in a position to reset, to remove the weight of legacy, Carol can see the value of who she is, and when the moment comes, she rushes right in because someone needs saving, and that is what heroes do. Not only is this who she is, but it’s who she wants to be.



Carol’s story is one of continuing to dream and to push forward. She encourages it in others and expects it of herself. “You and me’ve always been like this,” Helen writes in her letter. “Always dreaming. Of higher, further, faster, more. The Lord put us here to punch holes in the sky, and when a soul is born with that kind of purpose, it’ll damn sure find a way.”

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In Pursuit of Flight is the beginning of Carol Danvers’ tenure as Captain Marvel, and is as much about the shift in how she names herself as it is about the time travel shenanigans and fighting bad guys. The volume features an adventurous plot and a cast of characters to be marvelled at. The dialogue is snappy and engaging, a balance between being believable and sounding exactly like what a super hero would say.  I can, at the same time, relate to Carol’s relationships and wish I could have abilities as awesome as hers. It’s a fantastic volume if you’re new to super hero comics, or if you’re just looking for a new hero to love.

And Carol Danvers? I believe this list is just a few of the many reasons Carol Danvers as Captain Marvel has resonated with so many people. Carol is everything I want in a hero: she’s strong and confident. She lifts up and encourages those around her, but still banters playfully with her friends. While she’s facing down a challenge, she knows her strengths and her weaknesses, and isn’t afraid to own that there are some things that are not her forte. She’s both confident and questioning, strong and soft.  She flies fast, kicks ass, and looks fly as hell while she’s doing it.

I often describe Captain Marvel as the book I wish someone could have handed to 12-year-old me, but the truth is I need to hear what she has to say even now, on a pretty much daily basis. I needed a hero like this at 8 and 12 and 16 and 19 and even now at 26. When she’s on the big screen in 2018, girls won’t have to wait until they’re an adult to see a hero they want to be.


Fly. Be bold. Honor those that came before you, but never stop pushing for your own dreams. Punch holes in the sky.

Post by Jennifer DePrey

Previously:

Friday, 16 January 2015

Thinking About Thor #3

On the pressure of expectation in Thor #3
by Jason Aaron, Russell Dauterman, and Matt Wilson; Marvel Comics


At the end of Issue 2, Thor found herself separated from Mjlonir and facing down a pair of Frost Giants laying siege to Roxxon Island, wondering who she was without the hammer in her hand. The question of her former identity remains, but in the moment, her only concern is how to continue to be worthy of Mjlonir without actually being able to wield the hammer.

As always, *SPOILERS* are contained within. Read on at your own risk if you want to get the plot of the comic yourself before I talk all over it.  

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At the start of this issue, we see a flashback of Malekith and Skrymir discussing the invasion of Midgard. Skrymir is hesitant to go to war with Thor, but when Malekith informs him that Thor Odinson has lost his hammer, the plans for invasion begin.  

What is Thor without his hammer? “Nothing but a God,” if you ask the Frost Giant.


Coming face to face with Malekith back in the present on Roxxon Island, We see the emerging personality of Thor again. Faced with an enemy, she boasts and postures, taunting the elf as she thinks former-Thor would. But the question remains…can she face the giants without the hammer?

For now, Thor is drawing inspiration from her predecessor for behavior, behaving in a way she believes Thor would behave. She is trusting that Mjlonir knew what it was doing when it chose her, and that she can—and must—handle the situation at hand. If Mjlonir says she is worthy, she must be worthy—and she seems to gain some confidence from that.

We learn something else from this issue as well, while Thor is trying to get Mjlonir back in her hands: when Thor isn’t holding Mjlonir for an extended period of time, she feels her power slipping away and begins to revert back to her prior identity. Malekith notes at one point in the fight that she is masked, wondering aloud who she might be hiding her identity from. Malekith, of course, also takes the time to accuse her of stealing the hammer, doing what he can to sew seeds of doubt in her mind. It seems that her new identity is somewhat tenuous, that being Worthy alone might not be enough to remain Thor.  



 The mystery of who our Thor is under the mask is starting to interest more than just the reader—even the frost giants she’s fighting wonder who she is. 

For the first time I can remember, we have a Thor with a secret identity.

For all the uncertainty about our Thor, she seems certain of a few things—she was chosen to take this role, and so, she is going to do everything in her power to fulfill it. Thor is the protector of Midgard, and she is Thor. All it takes to convince her to step into the role is the validation that she is worthy of the job.


How much of Thor’s identity is banked on the concept of worthiness? Just as much as the previous Thor was destroyed by the idea he was no longer worthy, Thor is drawing strength from gaining the same designation. 

In reviewing Thor #2, I referenced Marcia’s theory of identity development, which centers around the idea that in order to develop our identity, we explore multiple roles and ultimately commit to a set of elements, resolving the necessary identity crisis of adolescence.

In Marcia’s identity theory, there are four identity statuses a person may experience.  Ideally, a person wants to have explored roles and made a commitment, resulting in identity achievement. In identity diffusion, an adolescent isn’t exploring because they don’t have a sense of having choices available. A person in moratorium is in crisis and exploring commitments, but hasn’t made commitments yet. I had thought in the previous issue that Thor was somewhere in this stage, exploring what roles she might commit to and defining her ethical and moral values, I’m starting to think she is also experiencing identity foreclosure.

In the identity foreclosure status, a person seems willing to commit to some roles, but hasn’t explored a range of options. It’s in this stage that a person is most likely to conform to the expectations of someone else. For adolescents, this often means conforming to the expectations of parents or other influential adults in areas like career or college exploration, or even religious affiliation.

We are absolutely seeing Thor take on characteristics she believes Thor *should* have.  At one point in the fight, she thinks to herself about what Thor would do. “The hammer chose me,” she thinks a moment later, “That means I’ll do nothing less.”

So the question becomes, are Thor’s actions motivated by her internal sense of self, or by the expectation that these are the actions she has to take now that she wields Mjlonir? How much is the assignation of worthiness a self-fulfilling prophecy?

While I expect, eventually, Thor will reach identity achievement, I’m curious if her achievement will be for one identity, or for two. I’m very interested to see how she either integrates these two identities or develops them along side each other.

And with the appearance of a familiar face on the final page, it seems like the questions of worthiness, identity, and what influences the two have on each other are soon to come to light.

Regardless, I’m with Malekith on one point:


Post by Jennifer DePrey

Previously: