Showing posts with label Marjane Satrapi. Show all posts
Showing posts with label Marjane Satrapi. Show all posts

Friday, 22 May 2015

Deep Sequencing: Persepolis Symbology

A look at the symbology in Persepolis,
by Marjane Satrapi; Pantheon Books



Persepolis is a pretty interesting comics artifact. It is a deeply intimate autobiography of a woman growing up against a tumultuous backdrop. It is a primary source document detailing the civilian life of an Iranian woman during the Revolution, ascension of Islamic Rule, and the ensuing war with neighbouring Iraq. Persepolis is also an olive branch document, one of those wonderful machines that communicate the common humanity of people from wildly different cultures. And it's also a really great comic that does some properly interesting things.

Specifically, I'm really interested in the way Marjane Satrapi is able to distill really complex ideas down to immediately understandable images. 

There will be *SPOILERS* of a sort for Persepolis below.



One of the awesome things about comics is that the picture elements of comics can be used to encode information in symbols. Instead of directly depicting the literal events happening, comics can instead use pictures that convey the idea of what is happening conceptually. It's a mode of comics that is maybe uncommon to see in more mainstream genre comics, but Persepolis is absolutely full of.  In the above selection we can see competing protests between modern and conservative dress for Iranian women distilled to it's simplest, most iconic form. Or below that the metaphor of a crowd tumbling off a large multi-person bicycle as a representation of a faltering revolution. A crowd of theatre goers who died in a fire are represented as horrific fire ghosts. A storyteller telling a scary story is represented as a simplified, gleeful monster. Refugees from the border between Iran and Iraq are shown driving between tongues of flame. A day spent aimlessly riding streetcars around and around a city is represented as a streetcar on a path of crazy unconnected lines. In each of these cases the comic chooses to shun the complexity of the actual events and instead present a simplified representation. This decision really distills each of these moments and presents them with an immediate understanding and a rapid emotional  reaction to what is depicted. It's great comics and a showcase of one of the most special elements of this media. 

Persepolis is a comic everyone should make an effort to read.

Post by Michael Bround

Previously:
So I Read Persepolis

Wednesday, 20 May 2015

So I Read Persepolis

A 250 word (or less) review of The Complete Persepolis Graphic Novel
by Marjane Satrapi; Pantheon Books



Persepolis is an autobiographic comic about being Iranian following the revolution in the 1970s. The comic depicts the life of Marjane Satrapi. It starts with her childhood during the Islamic Revolution in Iran and follows Iran's gradual transition into a repressive, fundamentalist country. Persepolis then depicts the war with Iraq, Marjane's time studying in Europe, her return to Iran as a young woman, and her eventual self-imposed exile to France. Along the way we get to experience the emotional arch of the Iranian people: see their hope in revolution, their despair as their movement is co-opted, their anguish in war, and the complex coping strategies they develop to live their lives under Islamic law. We also really get to know Marjane and watch her grow from a precocious girl to an uncertain young woman to a confident, bold woman who has outgrown the limitations of her home country. It's a wonderful and fascinating comic that let's you learn about Iran, with its good and its bad. What's more it allows us to visit and experience a part of the world that is so frequently portrayed as a caricature bogey-land in Western media. It's really a fantastic empathy engine. It's sometimes easy to think of comics as only these escapist machines, but comics like Persepolis serve as reminders that sequential art can be applied to some really powerful real life stories. 

Word count: 230

Post by Michael Bround