By James Stokoe; IDW Publishing
Wednesday, 18 September 2013
So I Read Godzilla: The Half-Century War
A 250 word (or less) review of the Godzilla: The Half-Century War collection
By James Stokoe; IDW Publishing
Godzilla
is a cultural icon. From what little I understand, this rubbersuit Lizard
is the towering mascot of the entire Kaiju genre of giant monster films.
Godzilla and his genre of films have been around for... a half-century (and a
bit) and Godzilla: Half-Century War is very much a celebration of this fact. In
the comic Ota Murakami, a Japanese soldier caught in Godzilla's first rampage circa 1954, gets drafted into the Anti-Megalosaurus Force to fight this giant
monster. What follows is a half-century of globe trotting conflict as Ota and
his comrades fight a war against Godzilla and the ever-growing roster of Kaiju
monsters, from Mothra to Gigan, in an effort to save humanity from these
beasts. And in that way, Godzilla: The Half-Century war functions as an homage to
Kaiju films, and acts as a kind of primer to the overall shape of Godzilla's
history, lovingly presented, costume seams and all. If you are a comics person
but not a passionate Godzilla fan, The Half-Century War is still worth picking up
for the art. James Stokoe is a fantastic artist, with a mad aesthetic unlike
anything else in comics. A mad aesthetic that features brilliantly detailed
environments and a real zeal for portraying scaly, bestial things. Basically,
what I am saying is James Stokoe was pretty much born to draw a series of
comics about Godzilla levelling cityscapes. It’s an absolutely
beautiful, confounding, art central comic that is also a loving tribute to Godzilla.
By James Stokoe; IDW Publishing
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